Pic 1

Archive for November, 2009

Melbourne art exhbition opening tonight! Requiem For Urban Ruin

Tuesday, November 24th, 2009

Requiem for Urban Ruin
Dominic Kavanagh
Bus Projects

Opening night Tuesday  November 24

Dominic_Kavanagh_art_exhibition
Exhibition runs until December 11, 2009

Requiem For Urban Ruin is a whimsical and contemplative experience of urban ruin. It is an installation encompassing sculpture, sound and performance.

Also on exhibition at Bus Projects are TS2 by Slow Art Collective and Symbiosis: Totems For A Realized Future by Alec Lewis.

Record and Analysis
Curated by Louis Porter

City Gallery

city_gallery_photographic_exhibition
Exhibition runs until January 30, 2010

An art exhibition of Engineering photographs from the Council’s collection.

“This photographic exhibition takes an offbeat look at Melbourne through the eyes of it’s archive of practical photography.
Photographer Louis Porter has compiled an enigmatic selection of photographs depicting a city in flux. In these images of men, machines and rubble are countless small details, included by chance, that tell us much about Melbourne in the 1950s and 60s as well as the generous nature of photography.”

‘Sustainable Fusion Reactions’ opening this week at the Colour Factory gallery

Tuesday, November 17th, 2009

The latest photographic exhibition at the Colour Factory Gallery ‘Sustainable Fusion Reactions’ is opening this Thursday evening from 6-8pm. All are welcome to come along!

‘Sustainable Fusion Reactions’ curated by Jill Orr
Featuring artists: Utako Shindo, Ash Keating Bindi Cole
Colour Factory Gallery
Opening night Thursday November 19, 6 – 8pm

cf_gallery_photographic_exhibition
Exhibition dates: November 19 to December 18, 2009

Vivien Racault
‘Mysteries’
Obscura Gallery

vivien_racault
Exhibition runs November 15 – December 31, 2009

Through visual allegories, Racault imbues a sense of ambiguity and mystery to his characters. Shrouded in classical undertones and stilted compositions, these figures are left vulnerable to the scrutiny of their worldly onlookers, while also tempting them to enter the photograph and join in their mysterious rituals.

French born and in Australia for one year on a photography research tour, Racault’s camera reacts likes a witch’s mirror, introducing the world of the unknown, granting each a moment of self-realisation.

Shortly arriving at Colour Factory are two NEW ENVIRONMENTALLY FRIENDLY machines!

Wednesday, November 11th, 2009

This first is a liquid laminator for fine art and commercial purposes. We will soon be able to offer ‘Giclee’ lamination to protect and enhance your archival museum quality inkjet prints.

Secondly, a commercial environmentally friendly printer.

At the Colour Factory we embrace and implement environmentally friendly technology. A detailed review will be available in the next month’s eNewsletter.

Limited places remain in upcoming digital photography seminar!

Wednesday, November 11th, 2009

digital_photography_seminar
There is a very exciting upcoming digital seminar being run by photographer Tim Handfield!

Creating Photoshop Masters (Intermediate) is being held on November 21st and will enable you to gain ultimate control over Photoshop’s most advanced features to produce compelling prints from your digital files. This workshop provides a step-by-step introduction to the concept of non-destructive image editing using Photoshop’s Layers and Transfer Modes.

Register soon as places are running out!

For more information see our seminar page.

Communication through an image, communication through installation

Wednesday, November 11th, 2009

The first and second exhibitions at the Colour Factory Gallery differ greatly in choice of medium and use of space, which got us thinking about photographic artists, and artists who use photography.

‘Sustainable Fusion Reactions’ is a very exciting exhibition for the Colour Factory as it pushes the boundaries of what photographic art is. All three artists use photography to communicate their vision even though they may not consider themselves solely as photographers. This differs from the current exhibition, where the artists are well known photographers in the commercial world of fashion and advertising. Marc and Gerard have taken a ‘traditional’ approach in the installation of their work – mural photographs, mounted to Aluminum Composite Board and hung formally in the gallery. The Colour Factory stands by this photographic tradition of the image telling all, presented as a high quality print on the white walls of the gallery.

Just as valid and interesting is the way artists’ who use photography think outside the square and use the installation process as a way of communicating their ideas by transforming a space. The artists in ‘Sustainable Fusion Reactions’ will manipulate the gallery space in a completely different manner involving projections, photo based sculpture, books and photographs, using not only the wall space but the floor as well.

A benefit of exhibiting a variety of ways in which artists use photography is to educate and inspire, showing the diverse and creative methods being used by contemporary artists. Having the Colour Factory business attached to the gallery is advantageous for the public, in particular students, who are interested in the technical possibilities of the medium and challenges faced by artists and technicians alike in bringing an idea to fruition. The experienced Colour Factory staff are available to assist and provide information on how the artwork was produced, the technical requirements, the archival quality of the material and much more.  Just ask us!

Some technical details: photo techniques, printing devices

colour_factory_gallery_exhibition

colour_factory_gallery_exhibition2

Gerard and Marc have printed their images as Lightjet photographs on Flex paper then mounted to 2mm Aluminum Composite Board, which floats off the wall. The Flex paper is high gloss and has incredible depth, fooling many to believe that the prints are face mounted to acrylic. This option, although aesthetically similar is more cost effective and light weight.  This process produces a collectable museum quality archival artwork.

Utako_Shindo

In the next exhibition Utako Shindo will create a sculptural floor piece that has images printed onto clear vinyl and adhered to squares of mirror. This process is usually for commercial applications, printed on the large format OCE CS7070 with UV ink. This means the work is not museum quality archival however, it affectively achieves Utako’s creative vision and aesthetic purpose.

As one exhibition closes another opens…

Wednesday, November 11th, 2009

The Colour Factory would like to thank everybody for their overwhelming support of its first exhibition by Gerard O’Connor and Marc Wasiak. It was a huge opening night, and we’ve had regular daily attendance streaming through the door. ‘Why Don’t You Take A Picture It Will Last Longer’ comes to a close this Friday November 13, and we strongly encourage anyone who hasn’t seen it yet to check out this incredible show.

As one exhibition closes another opens…‘Sustainable Fusion Reactions’ curated by artist Jill Orr will be opening on Thursday November 19, 6 – 8pm.  This innovative and experimental exhibition by three local artists seeks to link eco-sustainability, Indigenous sustainability and cross- cultural sustainability as different aspects of the same challenge. Japanese artist Utako Shindo, Indigenous artist Bindi Cole and environmental artist Ash Keating join forces to find solutions to sustainability through understanding and education. The exhibition runs from November 19 to December 18. All are welcome!

The curator of this photographic exhibition, Jill Orr, describes the artists works on display:

“Sustainable Fusion Reactions has been initiated by the Art Academy, University of Ballarat and is linked to RMIT and the Avoca Eco-Living Festival.

Solutions to sustainability and climate change will possibly be found
and implemented at the interface between science, art, culture and the
community. This project visualises emerging innovations and ideas
that can be experienced and embodied through art. Understanding
and education is a vital link in the paradigm shift that is necessary to
implement sustainable futures. Sustainable Fusion Reactions seeks to
link eco-sustainability, Indigenous sustainability and cross- cultural
sustainability as different aspects of the same challenge.

The three artists first developed their works in the Ballarat region by
drawing on both colonial, Indigenous and Japanese heritage and linking
this to present ecological imperatives and cultural sustainability”.

Ash Keating: EurEco Revolution
“The new green eureka flag is visual catalyst for a much-needed united environmental revolution, also acting as a symbol of freedom for the environment.

I believe the Eureka Stockade could be seen as an historic blueprint, for the people of Australia today to rise up against our current governments who continue to fail in re-structuring our country in response to the most challenging issue humanity faces, Climate Change.

This project, EurEco Revolution, changes the colour of the Eureka Southern Cross flag from Royal Blue to Bright Green, to act as a visual symbol for the coming together of the broader community to begin to significantly speak out about the issues we continue to face. The flag has been jointly laid upon a stack of railway sleepers by both Val D’Angri who is the restorer of the original eureka flag and myself”.

Ash Keating

Bindi Cole: Disposable Words

“Disposable Words uses rubbish collected from Wathurung country to create a sculptural text installation that spells out Wathaurung words. There is a link between the plastic rubbish that is thrown away daily by commuters along the freeways and the language that was thrown away like rubbish. Right here, where we stand, exists a community of Wathurung people and a history of ancestry that dates back tens of thousands of years. That community had a language and culture all of its own. Through colonisation, much of that knowledge was deemed unimportant.Disposable Words looks at the death of the language through the
revival of it.”

Bindi Cole

Utako Shindo: It Drops, it reflects

“Cultural sustainability may be discussed in the context of discovering one’s own tradition. However, for someone who inhabits the process of globalisation, it may be an issue to name what is your own culture. It seems that it is, in fact, more manageable to discover a root that is deep in the earth yet growing towards unaccountable future. I have entered the journey of discovery through my Japanese heritage and now attempt through my art practice to pursue something universally in common, like water: a linkage of our spirit; it drops, it reflects, our feelings of joy and sadness in living and death. Global Climate Change may shift not only the water level of the planet but the degree of our engagement to our own being. Simultaneously, Globalisation may shift the importance of sustaining culture from what is individual to what is universal”.

Utako Shindo

Photographic Exhibitions: A revolution and Australian women photographers

Tuesday, November 10th, 2009

Ash Keating
Eur-Eco Revolution
SHIFTED Gallery
Opening 6-8pm Wednesday 11th November

photographic_exhibition_ash_keating
Exhibition dates: November 12 – 28, 2009

Ash Keating speaks about his latest photographic exhibition:

“The project EurEco Revolution changes the colour of the Eureka southern cross flag from royal blue to bright green, to act as a visual symbol for the coming together of the broader community to begin to significantly speak out about the issues we continue to face. The flag has been jointly laid upon a stack of railway sleepers by both Val D’Angri who is the restorer of the original eureka flag and myself.”

In conjunction with ‘Sustainable Fusion Reactions’ at the Colour Factory Gallery, opening 19th November.

The edge of reason: Australian women photographers
Bendigo Art Gallery
Debra Paauwe

photographic_exhibition_Debra_Paauwe

October 3 – November 22, 2009

“For decades, women photographers have been at the forefront of Australian contemporary photography. Their work often explores the more internal, psychological and intimate aspects of life, love and loss. The edge of reason is a selection of works by women photographers from the Bendigo Art Gallery collection. Themes in the exhibition will visit a gamut of emotions and ideas.”

William and Winifred Bowness Photography Prize 2009 Finalists Exhibition

Thursday, November 5th, 2009

William and Winifred Bowness Photography Prize 2009
Monash Gallery of Art
Opening night Friday November 6 2009, 6-9pm

todd_kunert

Todd Kunert

November 6 – December 13, 2009

“After attracting over 450 entries from around the country the judges selected 50 works by Australian photographers”.

Come along to the opening of this photographic exhibition this Friday night. Don’t worry if you can’t make it this week, the prize announcement and People’s Choice Award will take place at 6.30pm on November 26, 2009.

Finalists in the 2009 William and Winifred Bowness Photography Prize:

Donna Bailey, Del Kathryn Barton, Polly Borland, Jane Burton, Elaine Campaner, Maria Fernanda Cardoso, Rebecca Dagnall, Stephen David, Tamara Dean, Marion Drew, Rozalind Drummond, Stephen Dupont, Cherine Fahd, Hayden Fowler, Janina Green, Renato Grome, Siri Hayes, Rebecca Ann Hobbs, Christopher Holt, Diego Ibanez, Sophie Kahn, Ash Keating, Ingvar Kenne, Paul Knight, Bronek Kozka, Todd Anderson Kunert , Owen Leong, Sean Loughrey, Todd McMillan, Georgia Metaxas, Julie Millowick, Sarah Mosca, Harry Nankin, Conor O’Brien, Simon O’Dwyer, Paul Ogier, Sanja Pahoki, Polixeni Papapetrou, Debra Phillips, Izabela Pluta, Helen Pynor, Troy Ruffels, Rebecca Shanahan, Glenn Sloggett, Michal Teague, Simon Terrill, Christian Thompson, Stephanie Valentin, Lyndal Walker, Anne Zahalka.

Hannah Raisin
Grevious Charm
Rear View Gallery
Opening night November 6, 2009 6 – 8pm
hannah_raisin_grevious_charm_2

Exhibition dates November 6 – 26, 2009

“Hannah Raisin completed a Bachelor of Fine Art (Drawing) at the VCA in 2007. Raisin has exhibited throughout Melbourne in both solo and group shows. Raisin was a finalist for the Wallara Travelling Scholarship and received the Proud second year art award”.

Source