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Archive for September, 2010

Ponch Hawkes’ exhibition opens this Saturday September 11

Wednesday, September 8th, 2010

Monash Gallery of Art
Ponch Hawkes
More Seeing Is Not Understanding
Exhibition opening Saturday September 11, 3pm

Exhibition dates: September 8 – October 24

Ponch Hawkes

Ponch Hawkes

In More seeing Is Not Understanding, Ponch Hawkes reconstructs these scenes from memory, emulating the perspective of a chance encounter. The space between the viewer and the subject compounds the feeling of uncertainty and encourages us to fill in the gap and create our own narratives.

Dr Melissa Miles , lecturer in the Department of Theory of Art and Design, Faculty of Art and Design, Monash University, writes of Hawkes’ work:

Late at night a woman sweeps a footpath, her body rigid under the glare of the streetlight above. While she sweeps, she talks on a mobile phone. It seems urgent. Who is she talking to? Why does she look so anxious? Is it a trick of the light or is there something terribly wrong? Our days are filled with chance encounters like these – little glimpses into the lives of others that are seen out of the corner of the eye as we drive or walk by. For one reason or another, some of these moments capture our attention, and a rising sense of intrigue begins to excite our emotions. The photographs in this exhibition bring together a series of these banal yet arresting moments as experienced by the photographer, Ponch Hawkes.

NO NO GALLERY
Yony Leyser
DAILY LIFE SUCKS
Exhibition opening Thursday 9 September
On for three days only!!

Exhibition dates: September 9-11

Yony Leyser

Yony Leyser

Punks, queers, stoners and squatters: DAILY LIFE SUCKS is a celebration of marginal cultural expressions, freaks and fuck-ups. The exhibition documents a range of outsider communities across the US and Europe, including Berlin’s infamous Kopi, Europe’s largest squat. Yony Leyser is a Chicago-based artist and director.

Upcoming at the Colour Factory Gallery

Wednesday, September 1st, 2010

Jo-Anne Duggan
Wondrous Possessions

Opening night Thursday September 2
Exhibition dates: September 3 – October 1

Sala dei Cavalli (Room of the Horses), Palazzo Te

Sala dei Cavalli (Room of the Horses), Palazzo Te

Wondrous Possessions is an exhibition of exquisite images, created on 4×5” film in the historic palazzi constructed by the Gonzaga family in Mantua, Italy; the Palazzo Ducale, Palazzo Te and Palazzo San Sebastiano, as well as the state archives, Archivio di Stato di Mantova. The images were hand-printed at Colour Factory and exhibited in Prato, Italy in mid May 2010. Colour Factory Gallery is very pleased to present these photo masterpieces, illustrating photography at its finest.

Dr Jo-Anne Duggan is an inter-disciplinary researcher and photo-media artist who investigates the complexity of the museum and the multitude of histories that collide in the context of viewing art and material culture. Her work has been created in a number of international cultural institutions where she explores new ways of visually communicating aspects of time, history and memory. Jo-Anne has been the recipient of numerous grants, including three from the Australia Council, and undertaken residencies in Milan, Florence and Prato, in Italy.

Claudia Terstappen invites you to After Life

Wednesday, September 1st, 2010

Place Gallery
Claudia Terstappen
After Life

Opening night Tuesday August 31, 6-8pm
Exhibition dates: September 1 – 25

Claudia Terstappen

Claudia Terstappen

Jessica O’Brien’s thoughts on Up Close

Wednesday, September 1st, 2010

Heide III: Central Galleries
Up Close

Carol Jerrems with Larry Clark, Nan Goldin and William Yang
Curator: Natalie King
Exhibition dates: July 31 – October 31

Up Close traces the significant legacy of Australian photographer Carol Jerrems (1949–1980), and situates her work alongside that of other photo-based artists from the 1970s and 1980s: Larry Clark and Nan Goldin from New York, and William Yang from Sydney. Sharing an interest in sub-cultural groups and individuals on the margins of society, each artist reveals a remarkable capacity to provide an empathetic glimpse into semi-private worlds through intimate depictions of people and their surroundings.

Cookie in Tin Pan Ally, New York City Nan Goldin, 1983

Cookie in Tin Pan Ally, New York City, Nan Goldin 1983

Melbourne based curator and arts writer, Jessica O’Brien shares her thoughts on the exhibition…

Heide Museum of Modern Art presents Up Close, featuring the work Australian photographers Carol Jerrems, William Yang and American documentary photographers Nan Goldin and Larry Clark.

Up Close includes work taken during the 1970s and 80s, offering unvarnished insights into the alternative worlds of American and Australian subcultures.  Depictions of sex, drug taking, and youth culture are at once timeless and specific. Sharpies, the pre- AIDS gay party scene and extravagant party wear firmly locate the works in a specific historical period. However, the intimacy, abandon and vulnerability evident in the photographs transcend periods and locations.

The highlight of Up Close is the work of Larry Clark and Nan Goldin. Clark, whose controversial films are perhaps better know that his photographic work (Kids, Ken Park) feature perfectly executed compositions that lend grace to his often violent subject matter.

Goldin’s documentation of New Yorks post-punk, new-wave music scene and gay subcultures is both emotionally and visually arresting. Her work takes the form of a 45 minute slide show entitled The Ballad of Sexual Dependency, first shown at Frank Zappa’s birthday party in 1979. This work, in which 800 photographs are displayed, is accompanied by a heady sound track that includes rock, blues, opera, and reggae.

While the curatorial focus in Up Close is on the work of Australian Carol Jerrems, more interesting (to this author at least) are the American photographers used to position the work within an international context. Bolder in subject matter, and in the case of Nan Goldin, lush in colour, the sections of the exhibition featuring these artists are truly arresting.

Smudge showing at Murray White Room

Wednesday, September 1st, 2010

Murray White Room
Polly Borland
Smudge

Exhibition dates: August 13 – September 11

Polly Borland

Polly Borland

Polly Borland

Polly Borland

London based Australian photographer Polly Borland’s new work can be viewed at the Murray White Room.