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Archive for the ‘Exhibitions @ Colour Factory’ Category

New exhibition at the Colour Factory Gallery opening this Thursday

Tuesday, March 2nd, 2010

Allan Kleiman
Colour Factory Gallery

Urban Archaeology- reconstructing the present

Opening Thursday March 4, 6-8pm

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Exhibition runs from March 4-20, 2010

Allan, a successful commercial photographer for many years, has recently turned his passion for photography into the pursuit of fine art. This body of work presents the graphic beauty of the everyday, illustrating and recording degrees of urban decoration and decay. Mostly shot in the familiar streets of Melbourne, Allan invites the viewer to imagine and interpret these ‘discoveries’ in the same way that an archaeologist discovers the remains of ancient civilizations and reconstructs what life was like.

STELLARC work at the Colour Factory Gallery in January

Tuesday, December 15th, 2009
The Colour Factory gallery will re-open in January 2010 with a work by STELLARC, kindly on loan from Scott Livesey Galleries.

As you may remember back in our July eNewsletter, we featured an article on analogue projection printing.

The subject of the article was the challenging creation of a 4.2 x 2.7m hand print of STELLARC’s flayed face for his exhibition ‘Skin’ at Scott Livesey Galleries in August. The work is now on show in Luxembourg at the Casino: Forum D’Art Contemporain (see below).

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STELARC_artist_works2Images courtesy of Scott Livesey Galleries

A small replica of the image will be featured in the Colour Factory Gallery in January.

Communication through an image, communication through installation

Wednesday, November 11th, 2009

The first and second exhibitions at the Colour Factory Gallery differ greatly in choice of medium and use of space, which got us thinking about photographic artists, and artists who use photography.

‘Sustainable Fusion Reactions’ is a very exciting exhibition for the Colour Factory as it pushes the boundaries of what photographic art is. All three artists use photography to communicate their vision even though they may not consider themselves solely as photographers. This differs from the current exhibition, where the artists are well known photographers in the commercial world of fashion and advertising. Marc and Gerard have taken a ‘traditional’ approach in the installation of their work – mural photographs, mounted to Aluminum Composite Board and hung formally in the gallery. The Colour Factory stands by this photographic tradition of the image telling all, presented as a high quality print on the white walls of the gallery.

Just as valid and interesting is the way artists’ who use photography think outside the square and use the installation process as a way of communicating their ideas by transforming a space. The artists in ‘Sustainable Fusion Reactions’ will manipulate the gallery space in a completely different manner involving projections, photo based sculpture, books and photographs, using not only the wall space but the floor as well.

A benefit of exhibiting a variety of ways in which artists use photography is to educate and inspire, showing the diverse and creative methods being used by contemporary artists. Having the Colour Factory business attached to the gallery is advantageous for the public, in particular students, who are interested in the technical possibilities of the medium and challenges faced by artists and technicians alike in bringing an idea to fruition. The experienced Colour Factory staff are available to assist and provide information on how the artwork was produced, the technical requirements, the archival quality of the material and much more.  Just ask us!

Some technical details: photo techniques, printing devices

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Gerard and Marc have printed their images as Lightjet photographs on Flex paper then mounted to 2mm Aluminum Composite Board, which floats off the wall. The Flex paper is high gloss and has incredible depth, fooling many to believe that the prints are face mounted to acrylic. This option, although aesthetically similar is more cost effective and light weight.  This process produces a collectable museum quality archival artwork.

Utako_Shindo

In the next exhibition Utako Shindo will create a sculptural floor piece that has images printed onto clear vinyl and adhered to squares of mirror. This process is usually for commercial applications, printed on the large format OCE CS7070 with UV ink. This means the work is not museum quality archival however, it affectively achieves Utako’s creative vision and aesthetic purpose.

As one exhibition closes another opens…

Wednesday, November 11th, 2009

The Colour Factory would like to thank everybody for their overwhelming support of its first exhibition by Gerard O’Connor and Marc Wasiak. It was a huge opening night, and we’ve had regular daily attendance streaming through the door. ‘Why Don’t You Take A Picture It Will Last Longer’ comes to a close this Friday November 13, and we strongly encourage anyone who hasn’t seen it yet to check out this incredible show.

As one exhibition closes another opens…‘Sustainable Fusion Reactions’ curated by artist Jill Orr will be opening on Thursday November 19, 6 – 8pm.  This innovative and experimental exhibition by three local artists seeks to link eco-sustainability, Indigenous sustainability and cross- cultural sustainability as different aspects of the same challenge. Japanese artist Utako Shindo, Indigenous artist Bindi Cole and environmental artist Ash Keating join forces to find solutions to sustainability through understanding and education. The exhibition runs from November 19 to December 18. All are welcome!

The curator of this photographic exhibition, Jill Orr, describes the artists works on display:

“Sustainable Fusion Reactions has been initiated by the Art Academy, University of Ballarat and is linked to RMIT and the Avoca Eco-Living Festival.

Solutions to sustainability and climate change will possibly be found
and implemented at the interface between science, art, culture and the
community. This project visualises emerging innovations and ideas
that can be experienced and embodied through art. Understanding
and education is a vital link in the paradigm shift that is necessary to
implement sustainable futures. Sustainable Fusion Reactions seeks to
link eco-sustainability, Indigenous sustainability and cross- cultural
sustainability as different aspects of the same challenge.

The three artists first developed their works in the Ballarat region by
drawing on both colonial, Indigenous and Japanese heritage and linking
this to present ecological imperatives and cultural sustainability”.

Ash Keating: EurEco Revolution
“The new green eureka flag is visual catalyst for a much-needed united environmental revolution, also acting as a symbol of freedom for the environment.

I believe the Eureka Stockade could be seen as an historic blueprint, for the people of Australia today to rise up against our current governments who continue to fail in re-structuring our country in response to the most challenging issue humanity faces, Climate Change.

This project, EurEco Revolution, changes the colour of the Eureka Southern Cross flag from Royal Blue to Bright Green, to act as a visual symbol for the coming together of the broader community to begin to significantly speak out about the issues we continue to face. The flag has been jointly laid upon a stack of railway sleepers by both Val D’Angri who is the restorer of the original eureka flag and myself”.

Ash Keating

Bindi Cole: Disposable Words

“Disposable Words uses rubbish collected from Wathurung country to create a sculptural text installation that spells out Wathaurung words. There is a link between the plastic rubbish that is thrown away daily by commuters along the freeways and the language that was thrown away like rubbish. Right here, where we stand, exists a community of Wathurung people and a history of ancestry that dates back tens of thousands of years. That community had a language and culture all of its own. Through colonisation, much of that knowledge was deemed unimportant.Disposable Words looks at the death of the language through the
revival of it.”

Bindi Cole

Utako Shindo: It Drops, it reflects

“Cultural sustainability may be discussed in the context of discovering one’s own tradition. However, for someone who inhabits the process of globalisation, it may be an issue to name what is your own culture. It seems that it is, in fact, more manageable to discover a root that is deep in the earth yet growing towards unaccountable future. I have entered the journey of discovery through my Japanese heritage and now attempt through my art practice to pursue something universally in common, like water: a linkage of our spirit; it drops, it reflects, our feelings of joy and sadness in living and death. Global Climate Change may shift not only the water level of the planet but the degree of our engagement to our own being. Simultaneously, Globalisation may shift the importance of sustaining culture from what is individual to what is universal”.

Utako Shindo

Grand opening of the Colour Factory Gallery this Thursday!

Wednesday, October 14th, 2009

Colour Factory Gallery Grand Opening presents

Gerard O’Connor & Marc Wasiak

Opening night Thursday October 15, 6–8pm

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Exhibition runs October 15 until November 12, 2009

The Colour Factory has some very exciting news! On October 15 we will be celebrating the opening of our NEW GALLERY SPACE! We invite you to come along this Thursday from 6-8pm to enjoy some complimentary wine and check out the space whilst enjoying the incredible, elaborate and entertaining work of Gerard O’Connor and Mark Wasiak!

The Grand Opening of the new Colour Factory Gallery!

Wednesday, October 7th, 2009

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The Colour Factory has some very exciting news! On October 15 we will be celebrating the opening of our NEW GALLERY SPACE! The gallery is located onsite at the Colour Factory, in the arts precinct of Fitzroy.

We invite you to come along to the grand opening of the Colour Factory Gallery from 6 -8pm. Enjoy some complimentary wine and check out the space whilst enjoying the incredible, elaborate and entertaining work of Gerard O’Connor and Mark Wasiak.

Gallery opening hours are Monday – Friday, 8.30am – 5.30pm. Other times can be arranged by appointment.

We are currently accepting proposals for the period November 2009 – June 2010. We welcome solo, group and curated exhibition proposals from emerging and established practitioners.  If you are interested, please download an application form here.

* Exhibition duration is one month, including installation and de-installation.
* Openings will take place on the first Thursday from 6 – 8pm.
* Rental on the space is $500.00 per month and there is no commission on the sale of artworks.
* Artists who wish to print their work for the exhibition at the Colour Factory will get a 20% discount off rent.
* We welcome solo, group and curated exhibition proposals from emerging and established practitioners.
* We accept proposals for exhibitions of a variety of mediums. However, we may place preference on photographic exhibitions.

At Colour Factory we have a range of industry professionals, gallery curators, fine artists, students, art writers and collectors coming through the door on a regular basis. Thus, the opportunity for exposure is great.

The exhibition committee will consist of three members of the Colour Factory team; director Phill Virgo, production manger Shane Waghorne, and artist and academic Linsey Gosper. A guest collector and an established practicing artist will also be part of the panel.

For further information call us on +61 (03) 9419 8756 or email us at mail@colourfactory.com.au.