Exhibition dates: September 8 – October 24

Ponch Hawkes

In More seeing Is Not Understanding, Ponch Hawkes reconstructs these scenes from memory, emulating the perspective of a chance encounter. The space between the viewer and the subject compounds the feeling of uncertainty and encourages us to fill in the gap and create our own narratives.

Dr Melissa Miles , lecturer in the Department of Theory of Art and Design, Faculty of Art and Design, Monash University, writes of Hawkes’ work:

Late at night a woman sweeps a footpath, her body rigid under the glare of the streetlight above. While she sweeps, she talks on a mobile phone. It seems urgent. Who is she talking to? Why does she look so anxious? Is it a trick of the light or is there something terribly wrong? Our days are filled with chance encounters like these – little glimpses into the lives of others that are seen out of the corner of the eye as we drive or walk by. For one reason or another, some of these moments capture our attention, and a rising sense of intrigue begins to excite our emotions. The photographs in this exhibition bring together a series of these banal yet arresting moments as experienced by the photographer, Ponch Hawkes.

NO NO GALLERY
Yony Leyser
DAILY LIFE SUCKS
Exhibition opening Thursday 9 September
On for three days only!!

Exhibition dates: September 9-11

Yony Leyser

Punks, queers, stoners and squatters: DAILY LIFE SUCKS is a celebration of marginal cultural expressions, freaks and fuck-ups. The exhibition documents a range of outsider communities across the US and Europe, including Berlin’s infamous Kopi, Europe’s largest squat. Yony Leyser is a Chicago-based artist and director.

Sala dei Cavalli (Room of the Horses), Palazzo Te

Wondrous Possessions is an exhibition of exquisite images, created on 4×5” film in the historic palazzi constructed by the Gonzaga family in Mantua, Italy; the Palazzo Ducale, Palazzo Te and Palazzo San Sebastiano, as well as the state archives, Archivio di Stato di Mantova. The images were hand-printed at Colour Factory and exhibited in Prato, Italy in mid May 2010. Colour Factory Gallery is very pleased to present these photo masterpieces, illustrating photography at its finest.

Dr Jo-Anne Duggan is an inter-disciplinary researcher and photo-media artist who investigates the complexity of the museum and the multitude of histories that collide in the context of viewing art and material culture. Her work has been created in a number of international cultural institutions where she explores new ways of visually communicating aspects of time, history and memory. Jo-Anne has been the recipient of numerous grants, including three from the Australia Council, and undertaken residencies in Milan, Florence and Prato, in Italy.

Up Close traces the significant legacy of Australian photographer Carol Jerrems (1949–1980), and situates her work alongside that of other photo-based artists from the 1970s and 1980s: Larry Clark and Nan Goldin from New York, and William Yang from Sydney. Sharing an interest in sub-cultural groups and individuals on the margins of society, each artist reveals a remarkable capacity to provide an empathetic glimpse into semi-private worlds through intimate depictions of people and their surroundings.

Cookie in Tin Pan Ally, New York City, Nan Goldin 1983

Melbourne based curator and arts writer, Jessica O’Brien shares her thoughts on the exhibition…

Heide Museum of Modern Art presents Up Close, featuring the work Australian photographers Carol Jerrems, William Yang and American documentary photographers Nan Goldin and Larry Clark.

Up Close includes work taken during the 1970s and 80s, offering unvarnished insights into the alternative worlds of American and Australian subcultures.  Depictions of sex, drug taking, and youth culture are at once timeless and specific. Sharpies, the pre- AIDS gay party scene and extravagant party wear firmly locate the works in a specific historical period. However, the intimacy, abandon and vulnerability evident in the photographs transcend periods and locations.

The highlight of Up Close is the work of Larry Clark and Nan Goldin. Clark, whose controversial films are perhaps better know that his photographic work (Kids, Ken Park) feature perfectly executed compositions that lend grace to his often violent subject matter.

Goldin’s documentation of New Yorks post-punk, new-wave music scene and gay subcultures is both emotionally and visually arresting. Her work takes the form of a 45 minute slide show entitled The Ballad of Sexual Dependency, first shown at Frank Zappa’s birthday party in 1979. This work, in which 800 photographs are displayed, is accompanied by a heady sound track that includes rock, blues, opera, and reggae.

While the curatorial focus in Up Close is on the work of Australian Carol Jerrems, more interesting (to this author at least) are the American photographers used to position the work within an international context. Bolder in subject matter, and in the case of Nan Goldin, lush in colour, the sections of the exhibition featuring these artists are truly arresting.

Murray White Room
Polly Borland
Smudge
Exhibition dates: August 13 – September 11

Polly Borland

Polly Borland

London based Australian photographer Polly Borland’s new work can be viewed at the Murray White Room.

Basil Sellers Art Prize
Ian Potter Museum of Art
Exhibition dates: August 6 – November 7

Shortlisted artists for the 2010 prize and exhibition are: Vernon Ah Kee, Eric Bridgeman, Juan Ford, Phillip George, Tarryn Gill & Pilar Mata Dupont, Ponch Hawkes, Grant Hobson, David Jolly, Richard Lewer, Noel McKenna, Glenn Morgan, David Ray, Gareth Sansom and Tony Schwensen.

Ponch Hawkes, ‘Untitled’ from the series ‘He never should have worn those shorts’ 2010, duratran photograph on LED lightbox 100 x 100 cm

The Basil Sellers Art Prize defines sport in the broadest possible sense. In 2010, an acquisitive prize of $100,000 will be awarded to a single, outstanding artwork, displayed in an exhibition of shortlisted finalists at the Ian Potter Museum of Art, the University of Melbourne. This prize is supported by Basil Sellers in order to encourage contemporary artists to develop their practice, to engage with the many themes within sport past and present, and to contribute to critical reflection on all forms of sport and sporting culture in Australia.

Dianne Tanzer Gallery
Lost In Painting
Featuring Giles Alexander, Natasha Bieniek, Chris Bond, Marian Drew, Craig Easton, Vincent Fantauzzo, Louise Paramour, Victoria Reichelt, Kate Shaw & Megan Walch.

Exhibition dates: August 21 – September 18

Marian Drew

Atsunobu Katagiri

Exhibition dates August 21 – September 4

Immanent Landscape is a project that brings together eight contemporary artists from Australia and Japan to express the idea of ‘landscape’. The project involves exhibitions, artists’ residencies, workshops, talk sessions or catalogue production, and it will be held in Australia 2010 and in Japan 2011. With this manner in which artists move between two cultures over two years period for a project, we aim to create and share a new cultural ‘landscape’.

The participating artists are Ai Sasaki, Atsunobu Katagiri, Nobuaki Onishi, Hisaharu Motoda, Kiron Robinson, Hamish Carr, Jeremy Bakker and Utako Shindo. Their artworks vary from photography, drawing, print to installation, however they have common in reflecting external environments and simultaneously embodying internal environments. Their artworks, therefore, encompasses the urban, mythological, social, historical, or spiritual context that humanity shares. From these diverse artworks a singular exhibition may form an immersive ‘landscape’ where different views intersect.

These artists are also active in engaging with art world through curation, education or production. The project evolves their participation into residency programs, research trips, exhibitions, educational talk sessions or workshops to create dialogues between artists, strength relationships between art communities, and to approach broader audiences. These activities may connect artists cultural knowledge and experiences, resulted in producing an exhibition that appeals to individuals with divers cultural background.

We intend to imagine and share “immanent landscape” that may be embedded in our communal existence.

A new Artists Run Initiative opens in Fitzroy
Dear Patti Smith
Opening night this Friday August 20.
Vernissage from 6pm, launch 7-9pm

Dear Patti Smith launch

Lazy Slum
Blindside Artist Run Space
Opening Friday August 20, 6-8pm

Lazy Slum

As part of an ARI exchange program Melbourne based Tape Projects and Hobart based Six_a will invade and colonize Blindside Gallery. Lazy Slum will be a cross-disciplinary experiment in what happens when you build a society from scratch. Think Lord of the Flies meets Better Homes and Gardens. Dystopian community meets tribal display home. Over three days a game will unfold where audience and artists alike are governed by the rules…

Kotoe Ishii

Exhibition runs from August 11th-21st

PRESENT (IN) TENSE introduces four Melbourne-based Japanese women. They exchanged their ideas about ‘transnational identity formation’ as Japanese living in Melbourne, and realised that their national and socio-cultural identifications sometimes overlapped and sometimes drifted away from each other. This complex nature of (un)shared senses of the self and crossing boundaries drives them to form PRESENT (IN) TENSE.

Schadenfreude
TCB art inc.
Dane Lovett, Laith McGregor, Charles O’Loughlin and Veronica Kent
Exhibition opening August 11th, 6-8pm

Schadenfreude

Exhibition dates: August 11th- 28th

window99
Make, Smash, Mend – Llawella Lewis
A Twitch Upon the Thread – Leo Greenfield
Exhibition opening Saturday August 14th, 6-9pm

window99

Exhibition dates: August 14th – September 4th

Tuesday 3rd August
Fortyfive downstairs
Unrepresented
Curated by Bernadette Alibrando
Exhibtion dates Tue 3rd August 10 – Sat 14th August

Unrepresented is an exhibition of five outstanding independent visual artists including emerging artists Ted McKinlay, Chloe Vallance, Nicholas Jones and Ben V Walsh alongside established independent artist Christopher Koller.

'All roads lead to where we stand’ by Chloe Vallance

Coinciding deliberately with the Melbourne Art Fair, which is an exhibition of leading contemporary art chosen and presented by over 80 national and international galleries, Unrepresented responds to the vagaries and minefields of the art world that contemporary artists encounter. While most artists see representation by a gallery as the best possible situation, others deliberately remain outside the accepted system.

Unrepresented is curated by Walk to Art director, Bernadette Alibrando who has delved beneath the surface of Melbourne’s commercial gallery scene, and has selected five diverse artists who are excellent at their craft, have refined concepts, conceptual and emotional content in their work, underlying drive and have chosen to remain independent.

Wednesday 4th August
The Melbourne Contemporary Art Fair Gala Opening!
Exhibition dates 4th – 8th August

More than 900 artists will be represented by over 80 leading national and international galleries. Melbourne Art Foundation attracts participation from Australian galleries from all States and Territories, as well as internationally, including from New Zealand, China, Japan, South Korea, Malaysia, Indonesia, India, Canada, America and Europe during the 4-day event. For more information, visit www.artfair.com.au

Thursday 5th August
Colour Factory Gallery
Blood, Sweat and Tears
Gerard O’Connor & Marc Wasiak in collaboration with Harry Rekas

Blood, Sweat and Tears

Exhibition dates 6th – 28th August

Friday 6th August
Lindberg Galleries
Sky High
Michelle Tran

Michelle Tran

Exhibition dates 6 – 28 August

Saturday 7th August
Rendezous in Wrongtown
One day only exhibition!  Saturday August 7 at 2pm sharp.
Group exhibition
Curated by Theresa Harrison, Tai Snaith and Vexta

Rendezous in Wrongtown

Directions available in the invitation above.

Centre for Contemporary Photography
Gallery 3
2010 Kodak Salon
Exhibition opening tonight, Thursday 29 July

Julia Palenov, Bench 2010, digital print, 40 x 36cm

Exhibition dates: 30 July — 25 September

Siri Hayes in collaboration with Eve Duncan
Gallerysmith
Listening Portraits
Opening this Friday 30 July from 6-8pm

Siri Hayes in collaboration with Eve Duncan

Siri Hayes’ exhibition Listening Portraits will open tomorrow, Friday 30 July at Gallerysmith in North Melbourne. The exhibition is part of the Innovators Series at the Linden Centre for Contemporary Arts. In this exhibition, Hayes works with renowned Melbourne composer Eve Duncan.